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Covid-19 showed us how vulnerable the world is to pandemics – but what if the next pandemic were somehow engineered? How would the world respond – and could we stop it happening in the first place?
New exhibition – including works by Icelandic singer-songwriter Björk, filmmaker Werner Herzog, and Xbox Game Studio Ninja Theory – showcases the awesome power of volcanoes.
Kettle’s Yard is showcasing the creativity and vision of Cambridge’s young artists with its new exhibition, Paint What Matters! Art by Children & Young People in Cambridge.
Duygu Sevilgen has built a coral lab in the basement of an old Zoology building. Here, 10 experimental tanks host multicoloured miniature forests, with each tank representing a different marine environment. Duygu uses extremely small sensors to record the fine details of coral skeletons and listen to their dialogue with algae. In doing so, she determines how much change corals can bear, and improves our chances of saving them in the wild.
To view the Skeleton Argument, Authorities Bundle, Hearing Bundle and Witness Statement please follow the links below:
Cambridge University's Dr Judith Bunbury is Deputy Mission Director of the archaeological project in the Theban Mountain area that found the lost tomb of Thutmose II.
Estherina Trachtenberg is a Blavatnik Postdoctoral Fellow in the Cognition and Brain Sciences Unit, University of Cambridge and is currently working in the lab of Prof. Duncan Astle. She studies social connectedness and its impact on health, cognition, and the underlying brain networks.
The world is facing a language crisis. Of its c.7,000 languages, Glottolog estimates that only 35% are safe - the rest are at varying stages of being threatened, moribund or nearly extinct. In some cases, it is already too late.
A new study led by the University of Cambridge has revealed that as our springs and summers get hotter and drier, the UK wildfire season is being stretched and intensified.
The UK government’s proposed ‘rights reservation’ model for AI data mining tells British artists, musicians, and writers that “tech industry profitability is more valuable than their creations” say leading academics.
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