On a shelf in his office in Cambridge Judge Business School, Dr Kamal Munir keeps a Kodak Brownie 127. Manufactured in the 1950s, the small Bakelite...
Almost 100 years after the outbreak of World War I, public opinion about war in many of the countries that fought appears to have shifted completely...
French silent film The Artist won best picture at Sunday night's Academy Awards. Chris O’ Rourke from the Faculty of English looks at the resurgence...
Watersprite: The Cambridge International Student Film Festival continues to grow in strength, attracting submissions from across the globe. This year...
The first full history of the General Post Office’s groundbreaking film unit reveals how Britain’s “creative epicentre” during the 1930s brought new...
![Left: Klee's Angelus Novus. Right: Kiefer's Sprache der Vogel. Winter argues that the progression from one image to the other represents a process of gradual "effacement" in art depicting war.](https://www.cam.ac.uk/sites/default/files/styles/content-580x288/public/news/research/news/120306-klees-angelus-novus-contrast-kiefer-sprache-der-vogel.jpg?itok=lpudRBKX "Left: Klee's Angelus Novus. Right: Kiefer's Sprache der Vogel. Winter argues that the progression from one image to the other represents a process of gradual "effacement" in art depicting war., Credit: Jay Winter.")
