A symposium taking place on Tuesday (23 September 2014) at Cambridge University Botanic Garden will unite artists, writers, scientists and literary scholars to look at the poet John Clare’s close engagement with the natural environment as a botanist as well as poet.
Siegfried Sassoon’s First World War diaries – some bearing traces of mud from the Somme – are among 4,100 pages from his personal archive being made freely available online from today, almost 100 years since Britain declared war on Germany.
Our lives are bound up with objects. Museums are evidence of our deep preoccupation with the things that surround us, whether natural or the product of human endeavour. Why do we keep stuff, what do we learn from it – and what does our fascination for objects from our past tell us about being human today?
American Civil War poetry that sheds light on a neglected chapter of the era’s literary history has been recovered and made freely available online after 150 years.
The Benjamin Zephaniah Poetry Competition, set up last year to encourage new work propelling social change, is now open to a wider range of aspiring poets. Entrants are asked to submit their work by 17 October 2012.
An unpublished Rupert Brooke poem will sit alongside some of Cambridge University Library’s greatest treasures when a free exhibition of highlights from its priceless collections opens to the public today.
On December 6th a new collection of translations from the work of one of Hungary’s greatest poets will be launched at the University Library.
Clare Holtham (1948-2010) had a huge enthusiasm for learning. After a troubled childhood, which led to a spell of homelessness, she became an intrepid traveller and independent-minded student at Newnham College, Cambridge. A book of Clare’s poems called The Road from Herat, launched today at Newnham, reflects a life lived to the full. It included working on the buses and a rapid marriage to an Uzbek chieftain.
Morag Styles may be the only Professor of Children’s Poetry out there. Having recently taken up her new role, here she explains why poetry for the young matters – and why it is time to stop treating it as the poor relation of the adult form.
A journey into Wordsworth's mind and the process of creation
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