From March 17, Kettle’s Yard will present a major exhibition to mark the centenary of the death in the First World War of the French-born sculptor and draughtsman Henri Gaudier-Brzeska (1891-1915).
The artworks of black and indigenous peoples – a missing chapter in the history of modern art – is brought into sharp focus in a ‘revelatory’ exhibition at Cambridge University’s Museum of Archaeology and Anthropology.
Scientific imaging techniques are uncovering secrets locked in medieval illuminated manuscripts – including those of a thrifty duke.
Research into England’s oldest medieval altarpiece – which for centuries provided the backdrop to Westminster Abbey coronations – has revealed that it cost no more than the rather unprincely equivalent of eight cows.
It was thought that no bronzes by Michelangelo had survived - now experts believe they have found not one, but two - with a tiny detail in a 500-year-old drawing providing vital evidence.
Cambridge gained a new landmark when Clare, a sculpture of a T-rex, was unveiled at the Sedgwick Museum of Earth Sciences earlier today.
Twenty-eight exceptional works by 15 Royal Academicians will be on display at Wolfson College, Cambridge throughout 2015 as part of a programme of celebrations to mark Wolfson’s 50th anniversary.
Tiny sketchbooks that bring to life one of the most famous voyages in history have been digitised and made available online for the first time.
A new exhibition at Kettle’s Yard celebrating the work of the Scottish poet and artist Ian Hamilton Finlay (1925–2006) opens this Saturday (6 December).
In her new book Representations of the Gypsy in the Romantic Period, Sarah Houghton-Walker provides a fascinating insight into writers’ and artists’ portrayals of wanderers. Her study focuses on a period when gypsies’ fragile place in the landscape, and on the margins of society, came increasingly under threat.
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