Henry VIII statue on the Great Gate of Trinity College Cambridge

Katherine Parr did not persuade Henry VIII to found Trinity College Cambridge

17 May 2022

King Henry VIII had already made up his mind to found Trinity College Cambridge and Christ Church Oxford before Cambridge lobbied his queen, a re-examination of 16th-century sources suggests. Professor Richard Rex's study undermines a popular 'Cambridge version' of events, sheds new light on the Chantries Act and emphasises the king's ability to take big decisions.

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Left: Giovanni Battista Moroni, Portrait of a Gentleman with His Helmet on a Column, ca. 1555-56. Middle: Giovanni Battista Moroni, The Gentlemen in Pink, 1560, Palazzo Moroni, Bergamo. Right: Moretto da Brescia, Portrait of a Man, 1526,  Oil on canvas.

Arms and the man: how a culture of warfare shapes masculinity

31 March 2016

The trappings of violence were embedded into the culture of 16th century Europe. Victoria Bartels, a PhD candidate in the Faculty of History, has conducted research in a Florentine archive to show how, even at a time when the bearing of arms was prohibited, men negotiated ways to sport their daggers and swords in public.

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Distillation in the 15th century, from Liber de Arte Distillandi de Compositis by Hieronymus Brunschwig

Men in stripes: spot the difference in early modern woodcuts

16 July 2015

Sixteenth-century woodcuts often depict young men wearing striped doublets or striped hose.  When historian of science Tillmann Taape embarked on a journey into the meaning of stripes, he discovered that artists used them to mark out people who were neither rich and educated nor poor and illiterate – but something in between.

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Derge iron water bottle.

Where to find a dragon in Cambridge

24 June 2015

The Cambridge Animal Alphabet series celebrates Cambridge's connections with animals through literature, art, science and society. Here, D is for Dragon. Watch out for fire-breathers among the treasures of the Museum of Archaeology and Anthropology, in Anglo-Saxon proverbs, and in fantasy literature from medieval Scandinavia to the present day.

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Left - portrait of Charles V; centre - portrait of Henry VIII; right - portrait of Pedro Maria Rossi

What goes up must come down: a brief history of the codpiece

30 April 2015

Only briefly in vogue, the codpiece has left a rich legacy in art, literature and – most recently – in televised costume drama. In focusing her attention on this ostentatious male accessory, PhD candidate Victoria Bartels has developed some new ideas about its evolution (and demise) as a symbol of virility.

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