African Collections Futures
The University of Cambridge’s collections include an estimated 350,000 artefacts, alongside natural history specimens and human/ancestral remains, from Africa, according to a new report aiming to promote further research, collaboration and engagement, especially with African scholars and communities.
The report emphasises that the labour and expertise of countless unnamed African people is hidden in the histories of these collections.
Maasai armlets donated by a colonial administrator; a small mammal collected in a Boer War concentration camp; the world’s most important collection of mediaeval Jewish manuscripts; fossils donated by a petroleum company; and early photographs of African people.
These are just some of the astonishingly diverse African objects in the University’s collections, highlighted in the ‘African Collections Futures’ research project report, made public on 3rd December 2024.
The project aims to develop a better sense of where Africa-related objects and materials are across the University; how researchers, African institutions and communities are engaging with them; and what more the University can do. The project is part of Collections-Connections-Communities, an initiative to expand the use of collections research to tackle societal challenges.
The new report covers the nine institutions (eight museums and Botanic Garden) that make up the University of Cambridge Museums (UCM), plus the University Library, and less well-known collections such as those in university departments and affiliated institutions. The Cambridge colleges were not within the scope of this initial project.
Authored by Dr Eva Namusoke, the project’s senior curator, the report states that most of the African artefacts in the University’s museums were acquired during British colonisation, using a variety of methods including gifting, purchase, commissioning, excavation, and violent extraction involving theft, confiscation and looting. Many natural history specimens were acquired through scientific expeditions during the British colonial period, some funded by the collegiate university and its museums.
The report notes that collection records provide frustratingly limited information about the many African people who were involved in collecting and acquisition activities. African people shared valuable knowledge, worked as translators, negotiated meetings with local communities, tracked and hunted animals, prepared specimens and artefacts for travel, carried equipment and supplies, and protected camps, among many other activities.
The report offers an introduction, not a comprehensive directory, to African collections at Cambridge, and invites further research, collaboration, and community engagement.
The peer-reviewed report was supported by a twelve-member Advisory Group representing different university museums and the Centre of African Studies; as well as archaeology and heritage specialists including individuals at the National Museums of Kenya, Iziko Museums of South Africa, and the Cambridge African Network. Cambridge curators, archivists, and collections managers provided key information.
UCM’s eight museums and Botanic Garden all include material from Africa. Most of the African archaeological and ethnographic material is at the Museum of Archaeology and Anthropology (MAA) and the Fitzwilliam Museum. Most of the natural history specimens are in the University Museum of Zoology, Cambridge and the Sedgwick Museum of Earth Sciences. Three further university collections – the University Library (UL), the Cambridge University Herbarium, and the Duckworth Laboratory – also hold major collections from or relating to Africa.
Egyptian artefacts
Egypt is the best represented African country in the University’s collections. The Fitzwilliam Museum and MAA care for tens of thousands of archaeological items, while the University Library holds an even greater number of manuscripts.
These objects have been the focus of intensive study and public profile since the late-19th century. One of the most important Egyptian objects at the Fitzwilliam is also likely one of the African objects accessioned earliest at a University of Cambridge museum: a granite sarcophagus lid of Ramesses III, donated in 1823 by the Egyptologist Giovanni Battista Belzoni.
The Taylor-Schechter Cairo Genizah Collection at the UL is the largest and most important single collection of mediaeval Jewish manuscripts in the world, built up over 1000 years in the genizah (a sacred storeroom) of Ben Ezra Synagogue in Old Cairo.
The Jewish community of Egypt gave permission for the materials to come to Cambridge at the end of the 19th century, where they form a collection of over 193,000 manuscript fragments. In 2006, the family of Egyptian businessman Jacques Mosseri deposited a further 7000 fragments recovered from the same synagogue on a 20-year loan. This material can be explored via the Cambridge Digital Library and has attracted significant scholarly interest as well as featuring in UL exhibitions.
Museum of Archaeology and Anthropology
MAA cares for the largest and most diverse collections of African artefacts, estimated at up to 137,000 individual items, from two-million-year-old stone tools to twenty-first century artworks. Fifty of the 54 nations in Africa are represented in the collections, but less than 1% of the collections, from only eight of these countries, are on display, which is a little below average for the museum as a whole.
Most of the African objects were acquired by the museum during the British colonial period with much of the material arriving at MAA in the early-mid 20th century.
The collections include material of high research significance, including the Hierakonpolis Main Deposit material from southern Egypt, critical to understanding early pharaonic kingship. Other significant sites include Olduvai Gorge in Tanzania which has become key to understanding human evolution.
African collections at MAA come from over 700 named collectors, donors or vendors. One of the largest collections, made by Northcote Thomas, a Trinity College graduate and British Government Anthropologist, includes over 3600 objects, mostly from Nigeria, and almost 9500 photographs (including over 7800 unique photographs).
Other major collections were made by Ernest Balfour Haddon who spent 25 years in colonial administration in Uganda; members of missionary societies; and Major Arthur John Newman Tremearne, an Australian soldier and police officer deployed in British military campaigns in South Africa, Nigeria and Ghana.
Violence
Some objects have a recorded history of violent acquisition, the best known being the Benin Bronzes at MAA. There are 116 objects linked to the British-led punitive campaign and looting of the Benin Kingdom in 1897 at MAA, making this one of the largest such collections of these artefacts in the UK.
The report also highlights examples from other parts of Africa, some of which require further research. A gold necklace from Ghana is thought to have been looted from Asantehene Kofi Karikari’s palace during the Third Anglo-Asante War of 1873-4, before being purchased in London by a graduate of Girton College, Cambridge, whose family later donated it to the museum in 1918.
There are artefacts associated with the 1868 British punitive expedition to the mountain fortress of Maqdala in Ethiopia at both MAA and the UL. The UL holds a number of manuscripts including an Abyssinian Bible donated by the widow of Amharic scholar and British colonial officer, C.H. Armbruster. A note accompanying the bible reads ‘Taken from King Theodore at the storming of Magdala by the officers of H.M. Madras engineers … June 1868.’
Many items at MAA from South Africa are recorded as having been collected as part of the Anglo-Zulu Wars (1879-96) and Eastern Cape Wars of Dispossession (1779-1879).
MAA cares for 180 objects identified as made by Maasai people, among which are six orkataar, or armlets, donated in 1920 to MAA by Sir Frederick John Jackson, a colonial administrator who worked in Kenya and Uganda. These orkataar are passed down from father to son and never removed, sold or given away.
Natural history
An estimated 100,000 African specimens are held by the University Museum of Zoology, Cambridge; while the Sedgwick Museum of Earth Sciences has over 41,000 African rocks, minerals and fossils; and the Cambridge University Herbarium’s ‘World’ collection, which is even more under-researched than other collections, could include up to 50,000 African specimens.
Much of the Zoology and Sedgwick Museums’ material was acquired by British scientific expeditions of the late 19th and early 20th centuries.
The Museum of Zoology contains specimens ranging in size from tiny marine molluscs up to the largest African object in the entire University collection – a complete African elephant skeleton.
In 2021, a member of the public helped the Museum of Zoology to establish that a British captain, Gerald Edwin Hamilton Barrett-Hamilton, had collected a specimen of a springhare while deployed at a Boer War concentration camp in what is South Africa today, in 1901.
The Sedgwick Museum’s biggest single contributor of African palaeontological material by far is the Somaliland/British Somaliland Petroleum Company, which accounts for almost half of catalogue records. Most of this material, which includes fish and invertebrate fossils, was acquired in 1930.
The Cambridge University Botanic Garden collections include over 1000 plants endemic to Africa, with many living African plants growing in its glasshouses. Among these are a rare water lily (Nymphaea thermarum) from Rwanda that was reported to be extinct in the wild until last year.
Photographs of African people
MAA cares for more than 29,000 photographs taken in Africa, including early images of African people from the 1860s. One records a group of women returning from a cemetery in Tlemcen in Algeria.
Over 8800 photographs (including 5720 unique images) linked to Nigeria form part of the collection assembled by Northcote Thomas, some of which featured in an award-winning 2021 exhibition at the Museum.
Human remains
The Duckworth Laboratory (est. 1945) cares for the remains of an estimated 18,000 humans (mainly British people), most of which are more than 100 years old.
The African human remains at the Duckworth are mainly from ancient Egypt – an estimated 4800 individuals are from Egypt and 1200 from Sudan. In 1898, Egyptologist Flinders Petrie presented 19 boxes of skulls and bones from his excavations at Hierakonpolis.
Surviving documentation and previous research provides only limited insights into how other African remains, numbering around 750 individuals, were collected. For example, in an 1897 paper on three skulls from Madagascar, the anatomist Wynfrid Duckworth (1870–1956) wrote: ‘The donor of the first writes to say that he obtained the specimen himself from the east coast, at some risk, for the natives venerate the dead’.
The Duckworth Laboratory is now within the Department of Archaeology. Its work is guided by UK government and University policies. African remains at the Duckworth continue to contribute to important research. The Duckworth plans to develop a searchable online database following the completion of a full collection inventory and community consultations.
The University has so far repatriated the remains of several individuals, mainly to indigenous communities in the United States and Australia, and has several ongoing claims, including one to Zimbabwe.
Returning artefacts
The ‘return’ of artefacts encompasses loans, repatriation and restitution. Both repatriation and restitution are highly complex processes. University museums like those at Cambridge are not national museums and therefore have greater freedom to repatriate artefacts. Loans of artefacts back to museums in countries of origin, particularly short-term loans of a few years, have been more common types of return from Britain to Africa.
Over the last twenty years, MAA has only received a few claims for the return of artefacts from countries or communities around the world. Since 2017, the Museum and the University have been working towards the repatriation of Benin Kingdom artefacts to Nigeria.
MAA has also signed an accord with a major museum in development, the Edo Museum of West African Arts (opening mid-2025), and will be the first international lender to MOWAA’s exhibitions.
As part of its involvement in the ‘Repositioning the Uganda Museum’ project, in June 2024, MAA returned 32 artefacts and the sacred remains of seven people to the Uganda Museum on a renewable three-year loan, to support collaborative research and consultation on their history, and their future care. The artefacts include spears, drums, pottery, shields, headdresses, and objects used for spiritual practices.
The seven relics, called balongo, are the remains of former ba Ssekabaka (Kings) from the Buganda Kingdom and members of their royal households, and are sacred to the Baganda. In February 1903, the missionary and ethnographer Reverend John Roscoe wrote to the Cambridge anthropologist William Ridgeway:
‘… it must not be known to the public, a man robbed them from one of the houses in which the kings are kept that is the relics, the jaw bones and these bits of the umbilical cords. There has been a row about them and I had great difficulty in clearing the man who did the deed...’
The Uganda Museum is preparing to transfer the balongo to Wamala Tombs in Kampala, which is managed by the Kingdom of Buganda, where the traditional keepers can care for them according to Baganda custom.
The report and wider project encourages researchers, museums professionals and members of the public to ask more questions about the enormous and under-researched African materials at the University of Cambridge.
University response
Professor Kamal Munir, Pro-Vice-Chancellor for University Community and Engagement said:
“This report is very welcome. It highlights not only the importance of Africa-related objects in Cambridge’s collections, but also the need for us to learn more about them and engage with relevant communities. We are determined to make the University’s invaluable collections more accessible.
“Building on our existing relationships, including through the Cambridge-Africa programme and our Centre of African Studies, we are also committed to work closely with colleagues in Africa and the African diaspora to share knowledge and foster understanding.”
The full ‘African Collections Futures’ report can be read here.
To follow the project's ongoing work, visit the CCC website
Published 3rd December 2024
The text in this work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License
Image credits
The Fitzwilliam Museum / David Valinsky Photography
Ancient Egypt gallery
Museum of Archaeology and Anthropology
Asante gold necklace; Women in Tlemcen; Uganda Museum and MAA colleagues
University Library
Manuscript fragment
Royal Anthropological Institute
Northcote Thomas
Cambridge University Botanic Garden / Kate Dawson
Water lily
University Museum of Zoology
Springhare