Articles about 'John Rink'

As 82 of the world’s most accomplished young pianists gather in Poland for the 17th International Fryderyk Chopin Piano Competition, Juror and College Fellow Professor John Rink reflects on the challenges and rewards of selecting the winning performances.

A previously unseen letter by Felix Mendelssohn is to go on public display in an exhibition about an unrealised British musical prodigy, revealing that he narrowly missed an opportunity to meet the great composer and perhaps transform his career.

One of the world’s leading pianists, Angela Hewitt, is coming to Cambridge later this month to tackle Bach’s The Art of Fugue, a composition so challenging that it is rarely performed. She will also give a masterclass for students and take part in a public symposium.

An investigation into how musicians find creative inspiration has identified four key ingredients needed for creative expression. It also shows that musicians may be at their most inspired when they step away from their instruments and think about music in different ways.

Emerging new digital editions at Cambridge are effecting a sea-change in the nature of the scholarly edition, radicalising access to vital source materials and opening up new possibilities for research.

To launch our month-long focus on digital humanities research, Professor John Rink and Professor Simon Goldhill – Co-Directors of Cambridge’s Digital Humanities Network – explain how digital tools are transforming scholarship in Cambridge.

One of the greatest composers of the 19th century, Fryderyk Chopin, had an irrepressible creative imagination, and his music experienced continual evolution as a result. Now, a new online resource is bringing the many versions of his compositions together in one place, opening up new possibilities for performers, listeners and researchers alike.

A “total immersion” event in Cambridge this weekend marks the climax of a conference examining the work of performers and their creative role in making music.

A pioneering research centre studying live musical performance as creative practice launches in the Faculty of Music in October with funding from the Arts and Humanities Research Council (AHRC).