Stills from the Kendall III film

A glimpse of India

26 Oct 2015

Kevin Greenbank, archivist at the Centre of South Asian Studies, explores the ways in which the home movie offers fascinating insights into the lives of those in front of, and behind, the camera – as rare footage of a 1935 Raj picnic shows.

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Open access

Your Questions Answered on open access

23 Oct 2015

Virginia Barbour, Executive Officer, Australasian Open Access Support Group, Australian National University; Danny Kingsley, Executive Officer for the Australian Open Access Support Group, University of Cambridge; James Bradley, Lecturer in History of Medicine/Life Science, University of Melbourne; Keyan Tomaselli, Distinguished Professor, University of Johannesburg; Lucy Montgomery, Director, Centre for Culture and Technology, Curtin University, and Tom Cochrane, Adjunct Professor Faculty of Law, Queensland University of Technology answer questions about open access.

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Caesar's Horse from a Triumph of Caesar, 1514. Maiolica dish after Jacopo di Stefano Schiavone

What is a unicorn’s horn made of?

21 Oct 2015

The Cambridge Animal Alphabet series celebrates Cambridge’s connections with animals through literature, art, science and society. Here, U is for Unicorn. Despite being notoriously difficult to catch, they feature on maiolica plates, in 15th century heraldry, and in early recipes for anti-poison.

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Terence, Andria, translated by Maurice Kyffin (London, 1588)

… dot, dot, dot: how the ellipsis made its mark

21 Oct 2015

We avoid them in formal writing but they pepper our emails … In 'Ellipsis in English Literature', Dr Anne Toner explores the history of dots, dashes and asterisks used to mark silence of some kind. The focus of the book – the first to look exclusively at the backstory of these marks – is communication.

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Man with a Bouquet of Plastic Flowers (1976) by Bhupen Khakhar

Man with a Bouquet of Plastic Flowers

20 Oct 2015

Almost 40 years have passed since Bhupen Khakhar painted one of the most iconic paintings in the history of Indian modern art. Dr Devika Singh offers fresh insights into a generation of Indian artists whose work reflects the politics and social turmoil of a fascinating era.

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