Holbein’s satirical depictions of authority figures, such as the King in the Dance Of Death (left), are a far cry from later work such as his iconic portrait of Henry VIII (right).

Holbein’s Dance Of Death - the 16th century Charlie Hebdo

02 November 2016

He is best remembered for the magnificent portraits he produced as the court painter of Henry VIII; but a new study of Hans Holbein’s famous ‘Dance Of Death’ suggests that he also had strong anti-establishment views, creating works which foreshadowed modern satire.

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Still from Pain in the Machine

Pain in the machine: a Cambridge Shorts film

02 November 2016

The pain we experience as humans has physical and emotional components. Could we develop a machine that feels pain a similar way – and would we want to? The first of four Cambridge Shorts looks at the possibilities and challenges.

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