Fryderyk Chopin's manuscript of the Nocturne Op. 62 No. 1

The un-Limited Edition

21 May 2013

Emerging new digital editions at Cambridge are effecting a sea-change in the nature of the scholarly edition, radicalising access to vital source materials and opening up new possibilities for research.

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Detail from Fryderyk Chopin (1810–49), Polonaise in A-flat major for piano, Op. 53: autograph manuscript, 1842–43.

The virtual Chopin

01 March 2013

One of the greatest composers of the 19th century, Fryderyk Chopin, had an irrepressible creative imagination, and his music experienced continual evolution as a result. Now, a new online resource is bringing the many versions of his compositions together in one place, opening up new possibilities for performers, listeners and researchers alike.

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Piano on Jesus Green

Tinkling in the streets

22 October 2012

A city-wide public art installation of fifteen painted pianos will be placed on Cambridge streets for two weeks, as part of the University’s Festival of Ideas. Decorated by local artists and charities, the art invites the community to make music together.

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Music in action

Music – or language in action?

24 November 2011

Music is more than just sound. Sharing many features with language, it has all the hallmarks of a communicative system, as Cambridge researchers are showing.

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Musical instrument.

Six hours of total performance

14 July 2011

A “total immersion” event in Cambridge this weekend marks the climax of a conference examining the work of performers and their creative role in making music.

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