The un-Limited Edition
21 May 2013Emerging new digital editions at Cambridge are effecting a sea-change in the nature of the scholarly edition, radicalising access to vital source materials and opening up new possibilities for research.
Emerging new digital editions at Cambridge are effecting a sea-change in the nature of the scholarly edition, radicalising access to vital source materials and opening up new possibilities for research.
To launch our month-long focus on digital humanities research, Professor John Rink and Professor Simon Goldhill – Co-Directors of Cambridge’s Digital Humanities Network – explain how digital tools are transforming scholarship in Cambridge.
One of the greatest composers of the 19th century, Fryderyk Chopin, had an irrepressible creative imagination, and his music experienced continual evolution as a result. Now, a new online resource is bringing the many versions of his compositions together in one place, opening up new possibilities for performers, listeners and researchers alike.
For two weeks, the ‘Play Me, I’m Yours’ event inspired choirs, ballerinas, pianists and poets to tickle the ivories at fifteen piano hotspots in parks and streets across the city.
The renowned pianist, conductor and musicologist, Robert Levin, arrives in Cambridge this week, where he will give a series of lectures and recitals that take us behind the scenes of performing Mozart.
A city-wide public art installation of fifteen painted pianos will be placed on Cambridge streets for two weeks, as part of the University’s Festival of Ideas. Decorated by local artists and charities, the art invites the community to make music together.
Music is more than just sound. Sharing many features with language, it has all the hallmarks of a communicative system, as Cambridge researchers are showing.
Do you like singing or playing an instrument and fancy performing in a huge musical ensemble?
A “total immersion” event in Cambridge this weekend marks the climax of a conference examining the work of performers and their creative role in making music.
The voices of the artistic elite of Stalin’s Soviet Union, among them Dmitri Shostakovich, are being heard afresh in a new comprehensive study of a unique collection of transcripts.